Synchro Arts’ sorcerous pitch and time manipulation system stands apart from the others in our list in that it’s built specifically for vocal production – although that’s not to say it isn’t also very effective on monophonic instrumental parts.Ī standalone application that connects to your DAW for audio transfer via the Revoice Pro Link plugin, Revoice Pro 4 offers a range of processes for transforming, correcting, and doubling vocals and dialogue. You’ll rarely feel as close to the bleeding edge of music technology as you do when reconfiguring the individual harmonic elements of a choir, string ensemble or guitar part using Melodyne’s liberating algorithmic arsenal, and although the trade-off is rather more required user input than the other entrants in our list, the results never fail to amaze. It’s all made possible by a wonderfully intuitive and beautifully visualised editor interface, and recent (v5) additions to the feature list include sibilance detection and separation, and a dedicated Chord Track. Running standalone or as a plugin (VST, AU, AAX or ARA, the last offering greater integration with the host DAW than the others), Melodyne lets you freely move the individual notes and sounds within an audio signal around in the time and pitch domains, and tweak their volume levels, vibrato amounts, formants and more. Just another option depending on what you will be doing.Without question Melodyne 5 is the most comprehensive pitch shifting and timestretching toolbox money can buy, Melodyne has established itself as the industry standard when it comes to meticulous transformation of monophonic and – thanks to its groundbreaking Direct Note Access (DNA) technology – polyphonic/multitimbral vocal and instrumental signals of any and all kinds. ![]() However, when you say "various sounds in nature, percussion kits, pieces if junk, etc." you might want to re-pitch those individually-as sounds or as clips.Īnd if you are really into sample manipulation, there are a few third-party sample manipulation modules for Voltage Modular. A full-fledged audio editor might best meet your needs. Not sure what you will be doing, if you are wanting to batch process lengthy audio files, or manipulate individual slices or selections from larger files. If you are looking for higher sample rates, this might not work for you. Pitching the keyboard up also worked, but after "chipmunk pitch" I got nasty artifacts-probably because internally Voltage Modular does 48K. I pitched the keyboard down to the lowest midi value and at my lowest C it sounded like a foghorn or something like that. I found a vocal sample of a female singer saying something ("Yeah, yeah, yeah.") and played it across a 48 key keyboard. Using Pitch Control Voltages, a sample can loaded, triggered, and be played across the span of a keyboard (for example). In the interest of mentioning other options, Voltage Modular has a Sampler II module which is visually patterned after an old E-Mu Emulator. We didn't have a variable speed motor to drop something in multiples of 1.5 octaves. ![]() But as noted, the drop in sound quality compounded with each iteration. We could have then dropped it by another factor of two to make it 8 octaves from the original (and then to 16). In addition to slowing it down, the pitch dropped 4 octaves. Back in the day, a friend and I slowed down a fast part (IIRC it was the sped up sax section near the end in Peaches en Regalia) using 2 machines.
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