The Jay-Z and Beyoncé Louvre video starts with shots of the Galerie d’Apollon‘s ceiling. Still from APES**T, Eugène Delacroix, Apollo Victorious over the Python, 1850-51, Louvre, The Carters, 2018, Youtube. Galerie d’Apollon Still from APES**T, Eugène Delacroix, Apollo Victorious over the Python, 1850-51, Louvre, The Carters, 2018, Youtube. Just take a look yourself and let’s explore the Jay-Z and Beyoncé Louvre video together:ġ. Have you ever seen the crowd goin’ apeshit? I can’t believe we made it (This a different angle) This is what we’re thankful for (This is what we thank, thank) I can’t believe we made it (This is what we made, made) All these ingredients match perfectly with the lyrics of the song. You can see a little bit of sacrifice and drama too, but that seems to be a usual part of every road to success. Most of the masterpieces you will see in the Jay-Z and Beyoncé Louvre video are about power, money and victory. And guess what – in this article we have ALL of the Louvre masterpieces which you can spot in APES**t explained.īeyoncé and Jay-Z released their first joint album in 2018, the surprise nine-track record Everything Is Love and a music video for its debut single APES**t. I don’t have to say that the video features a ton of artworks. There are shots of them standing in front of the Mona Lisa wearing pink and mint suits as well as shots of dancers in tights and crop tops. “A man that don’t take care his family can’t be rich,” he tells her, not aware, as we are, that the responsibility of the future lies on his family’s shoulders, but knowing that it very well could.The famous music video shows Jay-Z and Beyoncé at the Louvre Museum in Paris. Stands in the pulpit in Russian Orthodox vestments-inspired costume. Then begins the actual music video portion, where Jay-Z confesses his deeply personal sins to Beyoncé, who sits in the priest’s side of the confessional box and It’s like I remember my father saying when I was a little girl: ‘Nobody wins when the family feuds.’” As it turns out, she’s playing an older version of Blue Ivy Carter, whom, in the present day, Jay-Z sits down on a church pew before the song begins. America is a family, and the whole family should be free. Some people have their liberties, and some people don’t. Their leader, played by This Is Us star Susan Kelechi Watson, explains that no country can be free if all of its citizens aren’t free: “Ladies, this is just like the 13th Amendment. Then it’s the year 2050, and America’s multicultural Founding Mothers are together at a table discussing their new world order. Then we go back again to 2096, where two medieval-looking armies clash with crossbows and spears. We go back in time to 2148, where two cops, one or both of whom are ancestors of this fictional president, uphold the law of the land. The video starts in the year 2444 with two murders, one of which is connected to the family of a future president, who explains his family’s commitment over the centuries to bringing peace to the nation. Jordan and Jessica Chastain, Thandie Newton, Trevante Rhodes, America Ferrera, Brie Larson, Niecy Nash, Rosario Dawson, David Oyelowo, A Wrinkle in Time’s Storm Reid, and more. The video, for now exclusively available on Tidal, takes viewers forward and then backward in time, imagining a future ruled by a royal family that has its roots in the Knowles-Carters, populated by cameos including Michael B. Jay-Z has been going all out with the music videos for his 4:44 album, and “Family Feud,” directed by Ava DuVernay, is the most visually stunning yet.
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